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Richmond Hill Reading @ The Roebuck

~ a multi-author blog of bookish delights

Richmond Hill Reading @ The Roebuck

Monthly Archives: December 2020

The Poetry of Robert Frost

09 Wednesday Dec 2020

Posted by Travel Gourmet in Reading Reflections

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Tags

book club, online book club, poetry, Richmond upon Thames book club, Robert Frost

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Robert Frost (1874-1963) was an American poet. His first collection of poetry was published in Great Britain while he was living in Beaconsfield (1912-1915). He went on to win four Pulitzer Prizes (1924, 1931, 1937 and 1943). At the age of 86 he recited his poem ‘The Gift Outright’ at President John F. Kennedy’s inauguration in 1961. He’s known for his depictions of rural life (he inherited and for a time ran the family farm in New England) with social and philosophical themes.

Tim:

Please give my apologies to the group for not being able to report in depth on my choice, a very favoured poet, Robert Frost, but my laptop has been playing up this afternoon . . . I had prepared quite lot to say beyond his well-known favourites, ‘Stopping by woods  on a snowy evening’, which he  called ‘My best bid for remembr’nce’ and ‘The road not taken’. I went to work in New Hampshire, which became his home state the year he died, 1963. His time in England (1912-1915) was interesting with Edward Thomas and the Dymock Poets including Rupert Brook. He in fact had a tragically sad life reflected in some of his less popular/well-known poems. His mother died of cancer when he was young as did his wife in 1938. Of four children only two survived him. In ‘Birches’ he wrote:

I’d like to get away from earth awhile

And then come back to it and begin over.

For his epitaph on his very simple grave: ‘I had a lover’s quarrel with the world’.

****************

Ted:

Stopping by Woods on a Snowy Evening 

Whose woods these are I think I know.

His house is in the village though;

He will not see me stopping here

To watch his woods fill up with snow.

 

My little horse will think it queer

To stop without a farmhouse near

Between the woods and frozen lake

The darkest evening of the year.

 

He gives his harness bells a shake

To ask if there is some mistake

The only other sound’s the sweep

Of easy wind and downy flake.

 

The woods are lovely, dark, and deep,

But I have promises to keep,

And miles to go before I sleep,

And miles to go before I sleep.

I like this poem where R.F. is celebrating a magic moment when he stops his pony trap near some woods on a snowy day in mid-winter. The mesmeric quality of the falling snow is conveyed by the rhyme scheme and using simple words (know, though, here, snow). This is enhanced by onomatopoeic sound effects (‘the only other sound’s the sweep of easy wind and downy flake’), and with long drawn-out vowel sounds (dark, deep, keep, sleep). In the final verse there is also his decision to re-engage with life (‘But I have promises to keep’) and there is the metaphor of life’s journey which is made more effective by the use of repetition (‘And miles to go before I sleep, And miles to go before I sleep’).

I have to confess that I now receive, by notes and telephone, occasional poetry tuition from my neighbour who was a lecturer in English Literature many years ago!

*****************

Christine A:

The first poem that came to mind when I saw this week’s subject was ‘Birches’ by Robert Frost. It’s a wistful take on the freedom and joy of both the poet’s experience of swinging on birch trees and an imagined farm boy similarly having fun:

As he went out and in to fetch the cows –

Some boy too far from town to learn baseball

Whose only play was what he found himself….

The poet yearns to return to the joy he experienced as ‘a swinger of birches’ but realises that life is often ‘a pathless wood’ He seems to suggest that the patience and stamina needed to successfully swing on birches are useful traits for later life. How childhood foreshadows adulthood is a common theme for poetry; here Frost keeps it fresh with original imagery.

Poem Number Two is ‘Mending Wall’ – the poet has agreed to repair the boundary wall of his property in conjunction with his neighbour. My take is that this is mostly an interior conversation that he is having – his ambivalence about the need for walls is only overtly expressed when he tells his neighbour:

My apple trees will never get across

And eat the cones under his pines, I tell him.

The neighbour replies with the well-known proverb: ‘Good fences make good neighbours’.

So in the spirit of mutual respect and cooperation, Frost keeps any further contrary thoughts to himself but the reader is party to them. The proverb appears again in the last line of the poem as if, tradition is so stubborn, the more expansive thinking of Frost cannot prevail.

On a historical note when President John F Kennedy inspected the Berlin Wall he quoted the poem’s first line: ‘Something there is that doesn’t love a wall.’ A pity the current president was not of the same mind.

**************

Christine B:

‘The Road Not Taken’ is so well known I hope it’s not jaded; the ending is worth waking and thinking about it every now and then.

Two roads diverged in a wood, and I –

I took the one less traveled by,

And that has made all the difference.

‘Stopping by Woods on a Snowy Evening’ is also very familiar and again I think the final verse is the important –

The woods are lovely, dark and deep,

But I have promises to keep,

ANd miles to go before I sleep,

And miles to go before I sleep.

A less well-known poem that I really relate to and love the wry humour underlining it is ‘The Armful’:

For every parcel I stoop down to seize 

I lose some other off my arms and knees,

And the whole pile is slipping, bottles, buns –

Extremes too hard to comprehend at once,

Yet nothing I should care to leave behind.

With all I have to hold with hand and mind

And heart, if need be, I will do my best

To keep their building balanced at my breast,

I crouch down to prevent them as they fall;

Then sit down in the middle of them all. 

I had to drop the armful in the road

And try to stack them in a better load. 

I feel I begin to understand Frost through that poem far more than any of his poems I’ve read.  He was a close friend of Edward Thomas and he gave Thomas confidence with his encouragement to write poetry, very wonderful poetry. I imagine they drew upon each other very intensely, becoming very close and shutting out much outer life. How do I know!

**************

Kay:

I always feel a bit out of my depth with poetry so can’t say I know Robert Frost’s poems, though of course his name, but have enjoyed learning a bit about him and looking at a few of his poems in my trusty Poem for the Day: Two, and now feel inspired to read more. I’ve chosen this lovely poem that he wrote when devastated by the death of his friend, the poet Edward Thomas, with whom he shared a passion for the countryside and long ‘botanizing’ walks:

My November Guest

My Sorrow, when she’s here with me,

Thinks these dark days of autumn rain

Are beautiful as days can be;

She loves the bare, the withered tree;

She walks the sodden pasture lane.

 

Her pleasure will not let me stay.

She talks and I am fain to list:

She’s glad the birds are gone away,

She’s glad her simple worsted gray

Is silver now with clinging mist.

 

The desolate, deserted trees,

The faded earth, the heavy sky,

The beauties she so truly sees,

She thinks I have no eye for these,

And vexes me for reason why.

 

Not yesterday I learned to know

The love of bare November days

Before the coming of the snow,

But it were vain to tell her so,

And they are better for her praise.

************

Please let us know which are your favourite Robert Frost poems in Comments below.

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The Narrow Land by Christine Dwyer Hickey

02 Wednesday Dec 2020

Posted by Travel Gourmet in Book Review, Reading Reflections

≈ 3 Comments

Tags

book club, book club in Richmond, book reviews, Edward Hopper, novels about artists, novels set in 1950s, novels set in America

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Dwyer is an Irish award-winning novelist and short story writer who lives in Dublin. She won the Walter Scott Historical Prize for Fiction 2020, the Dalkey Literary Award for Novel of the Year 2020, and was shortlisted for the Irish Book Awards 2019 for The Narrow Land.  Set in Cape Cod in 1950, the novel centres around the artists Edward and Jo Hopper and two young boys, both scarred by World War II, and unlikely friendships are born amidst various tensions.

Kay:

I found this novel through a brilliant book blog I follow, A Life in Books. I was attracted not just by the good review but the subject matter, for it is set around a summer in the lives of the artist Edward Hopper and his wife – also an artist – Jo. Having long been a fan of Hopper’s wonderful atmospheric paintings, and seeing ‘Sea Watchers’ on the cover, it was a novel I couldn’t resist reading.

I wasn’t disappointed either and found it a great and engaging read. And although there is a background of art to it, it’s really about relationships, the effects of war – it’s set in the 1950s soon after the end of WWII – and a long marriage.

The novel gives us an excruciating portrait of the Hoppers’ destructive marriage, which is all the better for being told from both perspectives. We see Edward through his wife as a self-absorbed, boorish man but through him we see Jo as unbearably needy, jealous and irrational.

Into this volatile mix come two boys: Michael, an orphan haunted by terrible experiences in the war; and Richie, who seems an awful spoilt child at first but then we come to understand his tragedy, desperately missing his father who was killed in the war. Michael has been invited to spend the summer with the Kaplans – who are staying in a house close to the Hoppers – as a companion to Richie.

Both Hoppers make surprising bonds with each of the boys. Through Jo’s friendship with Michael we witness her best side. A former teacher, her needy side latches on to his need for her, but she understands him as none of the others do. Meanwhile, Edward shows an empathetic and gentler side in his friendship with Richie.

Dwyer has a fantastic understanding of relationships and people’s inner psychological landscape. It is a novel of loneliness and regret; of longing to feel love again; love and venom; hidden secrets; insecurity and jealousy. And of course there was some art as we followed Hopper’s search for perfection as he sought locations and subjects for his paintings – this time resulting in ‘Cape Cod Morning’ – which wonderfully transported me to 1950 America. And I think the novel goes a long way to helping us understand the loneliness, isolation and bleakness of his paintings.

***********

Ted:

Set shortly after the Second World War in Cape Cod during the summer, the novel is a fictional portrait looking at the marriage of American artists Edward and Jo Hopper. During this period we also meet Michael, a German war orphan who is sent to spend the summer on Cape Cod with a boy called Richie, his mother Olivia and the extended Kaplan family who vacation in a house close to the Hoppers. Both boys have been scarred by the war and they form an unusual friendship with the Hoppers.

I really enjoyed this book and found the characters interestingly and perceptively drawn from the slightly pretentious Kaplans in their large rented house, the ill and otherworldly Katherine [whom Edward Hopper was unconsciously attracted to], sad Richie grieving for his dead father and Michael who forms a strong bond with Jo Hopper whilst compulsively stealing items from the Kaplan household, and the cruelty of several of the women towards Jo. The Hoppers’ relationship is brilliantly and believably described. I guess what I most enjoyed were the descriptions of scenes for potential paintings seen through Edward Hopper’s eyes, particularly his descriptions of the light. There was also his voyeuristic way of viewing women. It was exciting to have the action played out in landscapes or urban scenes that one recognised from some of his paintings.

***********

Louise: 

It took me a while for the penny to drop that Cape Cod is the Narrow Land. It is of course exactly that and, while the title of the book is also a metaphor (I believe) for the strange restricted lives that the characters lead – not least Edward Hopper and his wife, it is the strange echoes of Cape Cod and its bleak-yet-inspiring seascape that resonated most with me.

For I have to admit I struggled – as have a few readers before me (see GoodReads reviews). I admire Hickey’s skill, her ability to get inside the character’s lives and to tell their stories from intimate and ever-changing perspectives; but it just wasn’t the book I wanted to be reading right now. I disliked most of the characters (except possibly Michael) from the start and was torn apart by the magnification of the Hoppers’ dysfunctional marriage. So I abandoned the book about halfway through with the thought that I will pick it up again when times are different. Superb writing just isn’t quite enough for me. And, frankly, there is so much of it about that we can pick our moments.

However, what the book did do for me was take me on a fascinating evening’s journey to rediscover Edward Hopper, the man and his art. In 2004 I had visited the celebrated Tate Modern retrospective of his work and, as so many others, fell in love with his often bleak realistic depiction of American life (I had been spending a lot of time in America in the previous decade). So, as I sat down with the iPad to read some others’ reviews of Hickey’s novel, I started to surf into his world and emerged two hours later having read pieces on him, on the overlooked artist Josephine Verstille Nevison – Jo Hopper – whose great legacy is not her art, but the detailed diaries she kept of their life together – on some of his most famous paintings and on their shared history and deep dependence on each other. I also saw some fascinating video clips (including one of Hopper speaking) and as a result discovered a poorly followed but interesting YouTube channel called Art Nerds. I took a bit of time to remind myself why I had loved his paintings and also remembered a rare few days I spent in Cape Cod myself in 1995, looking at the landscape and reading Henry David Thoreau.

So I am grateful to the book for the evening with the Hoppers and Cape Cod that it gave me. I will go back to it, but when life is a little less bleak. Meanwhile, some great memories revived and a renewed appreciation of Edward Hopper’s art.

************

If you’ve read The Narrow Land do please let us know what you thought in Comments below.

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